From an early age, Alejandro Alfonso Eichmann an Interest in the Arts
and Crafts, Especially in gold work. I started out as an apprentice
at "Peter Jewels" (Peter's Jewellery Studio), under the guidance of
goldsmith, Leandro Walde.
Later, I've Travelled to Brazil WHERE Further progress made in this
craft, working under the guidance of goldsmiths Leandro Walde
Then, in 1981 I Opened His Own studio in the city of Sao Paulo.
Back in Uruguay, I Took on the position of manager at "Jewelry
Cantegrill (Cantegrill Jewellery Shop) in Montevideo, jewelery
shop of great renown THROUGHOUT the country.
In 2002, I've Studied drawing and painting with artist and Techniques
architect, Daniel Heine. In 2005, I joined the artist Prof. Alina Di
Natale's studio. His first exhibition Took place in 2008 under the
Auspice of the Uruguayan / American pianist EG
He is Currently Focused on His next presentation, an Innovative
independent exhibition, Where One Can Appreciate the deeply genuine
and heart-rending face of the earthbound Being and the human condition
being depicted on large canvases. They document the sequential somehow
creative process of the artist Himself, as well as particular historical
His approach to subject matter, embracing the study of the human body,
spirituality and the ever-lasting anguish of contemporary Mankind.
Nor does I confine Himself only to the pursuit of What is Innovative
Revolutionary in historical or artistic Proposals. A dialogue with
tradition is ever present in historical works, Though I May Not Always Be In
Favour with it. Towards drifting in this tradition, I've Been
Such artistic Movements Identified as with symbolism, with images That
escape reality to embrace the literary world, legitimizing historical Malthus
approach, closer to fantasy, and even more to a mystical view of the
world.
Are Some Of His paintings brighter and more colorful, and one gets a
sense of historical approach to "magical realism", with A Certain northern
slant, Malthus alluding to the Relationship I have with His own culture,
STI myths and Subjectivity. In Others, An Almost have mystical shows
Respect for the Qualities of the object, call the Something We Could
"Metaphysics of the object." His virtuosity Technical Continually
renews the spirit of historical works, making the chasms of the Deepest
Unconscious credible in Terms of the visual. The complex Relationship
Between the physical reality and the reality painted Becomes Evident
in historical ambiguity. Manipulative perspectives, Multiple Meanings and
Deliberate Instability in His work all combine to Give to significant
metaphysical transcendence to historical works as a whole.

Alina Di Natale
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